François Ozon describes making his first period film as akin to playing with a doll's house where 'my dolls speak a lot', showcasing a comedic tone.
In 'The Crime is Mine', Huppert's character, a past-it silent film star, embodies a nuanced view of women's struggles, articulating the challenges 'of being a woman in a man's world'.
Ozon expresses that each time he makes a comedy, he intentionally writes for women, highlighting his commitment to creating 'brilliant roles for women of all ages'.
The film delves into themes of sexism and poverty in 1930s Paris, weaving together humor with a poignant critique of women's circumstances through its lead characters.
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