Muhammad Yunus notes that the political murals in Dhaka express a youthful exuberance and ambition that could define a transformative future for Bangladesh.
Yunus acknowledges the significant challenges ahead, emphasizing the need for reform across multiple institutions to restore democracy and hope in Bangladesh.
He characterizes the previous government's regime as fascist, highlighting the extreme measures taken to suppress dissent and the tragic loss of life.
The murals reflect a generational shift, with Gen-Z seen as the real heroes in the fight against repression and for a democratic future.
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