"Megalopolis" and "Joker: Folie a Deux"; or, The Virtue of Burning Money | Features | Roger Ebert
Briefly

Francis Ford Coppola's 'Megalopolis' is financed by his own wealth, marking it a true labor of love with final creative control and reasonable budget expectations for its genre.
In an era of anti-intellectualism in cinema, even established directors face mockery, making Coppola’s indulgence in 'Megalopolis' stand out amid fan service-driven films.
The success of auteur-driven visions like 'Megalopolis' varies greatly, but there exists a long-standing tradition of the auteur achieving critical and artistic success despite risks.
In contrast to the modern standard of films primarily aimed at fan service, Coppola’s work embodies the spirit of creativity and individual vision in filmmaking.
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