In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher | Features | Roger Ebert
Briefly

The article emphasizes the necessity of excess in today's cinematic landscape, referencing director Joel Schumacher's celebrated works such as 'Batman Forever,' 'The Lost Boys,' and 'Phantom of the Opera.' Schumacher's unique style, characterized by a flamboyant, queer sensibility and maximalism, stands in stark contrast to the muted spectacle and computer-generated visuals prevalent in contemporary films. With iconic elements like the infamous Batnipples and vibrant outfits, Schumacher's films express an unabashed dedication to indulgent aesthetics that prioritize entertainment and enjoyment, showcasing a unique vision that modern cinema often lacks.
Schumacher's films celebrate excess and a distinctly queer sensibility, which contrasts sharply with the muted spectacle of modern American cinema.
In works like 'Batman Forever,' Schumacher luxuriously indulges in vibrant aesthetics, campy flourishes, and unmistakable maximalism, challenging the minimalistic styles of today.
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