"Mama told me that she proud, I still don't think I'll be enough," he raps on the iokera-produced "Reminder," inflecting his voice like Izaya Tiji in his darkest hour. Behind the veil of anonymity, ian thrived off experimentation.
Five months after Valedictorian, follow-up Goodbye Horses doubles down on the formula: Young Chop replicas and manufactured rapper talk. It's unfortunate; the production is stiff and stuffy where it's meant to feel rapturous.
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