Ethel Cain's new project, Perverts, moves away from her debut's ethereal sound, diving deep into an underground aesthetic, making it a challenging listen for casual fans.
While critics acknowledge the 'wall of obliterating noise' in Perverts, they also praise its loud lo-fi droning—an experience that drastically separates it from Preacher's Daughter.
Matthew Kim describes Perverts as an 'experience unlike any' he's encountered; it prioritizes a visceral response over traditional lyricism, offering a complex journey through sound.
Critics note that while Perverts lacks the structure and lyrics found in Ethel Cain's earlier work, it offers a raw, human exploration of losing one's humanity.
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