The Guardian of the Temple-The Gates of Darkness featured three gigantic robotic puppets—Lilith, Asterion, and Ariane—showcasing mythological storytelling within Toulouse’s urban landscape.
Directed by François Delarozière, the performance celebrated the interaction between art, technology, and city life, transforming Toulouse into a dramatic stage for urban opera.
La Machine’s unique presentation not only captivated audiences but also revived interest in street theater, demonstrating its power to engage communities through innovative cultural experiences.
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