Nairy Baghramian's 2006 show at Kunsthalle Basel was inspired by Gustav Metzger's criticism of the building's architectural integrity, emphasizing political potency through disruption.
Metzger's excitement over the temporary wall at Kunsthalle Basel symbolized a political interruption, transforming the architectural experience into a statement against monumentalism.
Baghramian’s work reflects her focus on maintaining artistic flexibility and openness, preventing her from getting trapped in a singular concept.
Born in Iran and having fled to Berlin, Baghramian’s background influences her continuous exploration of space and the dynamics between sculpture and photography.
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