Davóne Tines' latest performance, 'Queering the Mass,' at the Chan National Queer Arts Center, seeks to transform traditional religious experiences into a nuanced exploration of human issues. Utilizing a diverse musical repertoire, Tines incorporates elements from gospel, jazz, and opera to create a personal journey. This innovative act is designed not just for those with Catholic backgrounds but also for anyone grappling with religious trauma or ambivalence. Tines emphasizes the importance of personal connection and explicit context in artistic expression, making the performance a deeply resonant experience.
The idea for MASS was born of my phobia for the traditional recital form... I decided to make something that was a ritual for myself to reflect and process.
His 'Queering the Mass' performance... is part of the Chan's ambitious Q-Lab series that supports the work of boundary-pushing performers.
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