Dark Feathers review erotic hitwoman thriller approaches The Room levels of kitsch disaster
Briefly

The film attempts seduction but instead delivers an ordeal, likened to the ineptitude of Tommy Wiseau's The Room, leaving viewers baffled by its narrative.
Huang and co-director Ryan aim for elegance in 'Dark Feathers,' but after a scene where the protagonist cracks a walnut with her body, maintaining that tone becomes nearly impossible.
Kate's bizarre double life as a ballroom dancer and an assassin creates a dissonance that lacks clarity, ultimately portraying a narrative filled with chaos and poor motivational depth.
The film's attempt to blend various genres—from thriller to melodrama—results in a confusing experience that trails the audience through a series of absurd and disconnected plot points.
Read at www.theguardian.com
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