Constructing the period-perfect look of 'The Brutalist' - 48 hills
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from 48 hills2 weeks ago
Brady Corbet and Mona Fastvold were intrigued by post-WWII America, particularly the interplay between a Holocaust survivor and an industrialist, forming the foundation of The Brutalist.
48 hillshttps://48hills.org/2025/01/constructing-the-period-perfect-look-of-the-brutalist/
Fastvold noted their shared fascination with Brutalism and its Jewish architects, emphasizing its rich history as a significant element that inspired their storytelling.
48 hillshttps://48hills.org/2025/01/constructing-the-period-perfect-look-of-the-brutalist/
The film's extensive runtime of 3 ½ hours includes an intermission, presenting a retro cinematic experience that acknowledges filmmaking techniques of the midcentury period.
48 hillshttps://48hills.org/2025/01/constructing-the-period-perfect-look-of-the-brutalist/
Cinematographer Lol Crawley's use of VistaVision, alongside various film formats like 16mm and low-end digital, creates a visually eclectic aesthetic that mirrors the film’s narrative complexity.
48 hillshttps://48hills.org/2025/01/constructing-the-period-perfect-look-of-the-brutalist/
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#film #brutalism #post-wwii-america #cinema-technique #holocaust
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