In 'The Purple Bird', Oldham embraces old-school country vibes, delivering humorous laments reminiscent of artists like Jerry Reed and Roger Miller. His reflective lyrics explore personal themes with a self-deprecating twist. Notably, he pushes his vocal boundaries, displaying raw emotion and intensity, particularly in tracks like 'London May' and 'Downstream'. The album serves as a continuation of his previous work, urging listeners to embrace life passionately. Oldham's newfound starstruck approach may reflect his re-evaluation of artistry after three decades in the music scene.
'Sitting at the bar with a drink or two, telephone rings and it's you-know-who, you know who's a-gonna get his ass chewed tonight.'
Oldham sounds starstruck... he seems to be re-evaluating how to use his voice, which is a remarkable thing for an artist 30 years deep into a twisting and singular career.
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