The article explores the unique contributions of music producers Sam Barker and Sam Voltek to the techno genre. Barker's work with Ostgut Ton stands out for his innovative approach of creating dance tracks without kick drums, resulting in a signature sound that invites listeners into an 'abyss of bliss.' Voltek's new single "Reframing" showcases his methodical studio rules, combining emotional synths with minimalist rhythm, reminiscent of both Steve Reich's patterns and Sasha's emotional highs. Barker's upcoming album, Stochastic Drift, is suggested to delve into randomness, while the complexities of "Reframing" hint at intentional design.
Barker has achieved something rare with his weightless techno experiments: a sound that's instantly identifiable as his own. His signature trick is to imagine dance music without the kick drums.
Voltek often works with specific rules in the studio, which is evident in his new single "Reframing." A nebula of sad synths and space-dust percussion creates a unique rhythm.
Barker's forthcoming album, Stochastic Drift, is designed to embrace the random. However, the orbits of "Reframing" don't seem to have emerged by accident.
The payoff of "Reframing" pairs minimalist logic with emotional heights, akin to a techno drop with a brainy twist, reminiscent of the works of Steve Reich and Sasha.
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