Shu Lea Cheang, a Taiwanese artist, critically examines the concepts of growth, decay, and technology through her groundbreaking works, notably her film 'Fresh Kill' and projects like 'Composting the Net.' Her art reflects on the interconnections between cultural waste management and environmental impact, while also addressing themes of queer identity. As a key figure in the early net art movement, her retrospective at Munich's Haus der Kunst emphasizes her significant contributions to contemporary discussions on technology, culture, and eco-social concerns.
It's interesting to hear you mention 'Fresh Kill' as a work dealing with cycles-you can say 'cycles' or 'recycles,' [but] there are cycles.
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