In 'Civil War', Alex Garland blends a politically charged narrative into a road-trip structure, presenting journalists grappling with integrity amidst a fractured America.
The film starts with a provocative premise—a nameless fascist president has turned the U.S. upside down, leading a group of journalists through a darkly satirical America void of fundamental rights.
'Civil War' stands as a complex reflection on journalism's role in documenting conflict. The characters' varying approaches to their work compel them to confront their moral limits.
Garland's film culminates in striking imagery, leaving audiences with a final frame that raises more questions than answers, exemplifying a critique of modern media and its limitations.
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