In this week's episode, Harry Da Souza confronts a man about the Harrigans' desperate situation following a murder instigated by Eddie, Conrad Harrigan's grandson. Da Souza employs a passive-aggressive tone and rhetorical devices to convey urgency and manipulate his audience, despite delivering violent threats. The ramifications of Eddie's decisions have embroiled the entire Harrigan family in a dangerous conflict with their rivals, highlighting themes of loyalty, betrayal, and the fragility of family relationships within the criminal underworld.
I said if you help the Harrigans, the Harrigans will help you. You have not helped the Harrigans. Not at all. Okay? So now I, Kevin here, he's gonna lose his family, I'm gonna lose my family, both of us are gonna die, and others, yeah? Thanks to you, okay, and Eddie. So I don't think it's very fair that you don't share in some of that joy, you understand.
Harry Da Souza has a strange way of speaking. Understatement is one of his primary rhetorical devices: 'You have not helped the Harrigans' to a man who helped conceal a war-starting murder.
He peppers his speech with little stops and starts, little marks of inquisition designed to give the listener no other choice but to agree with him. Look at that paragraph above, the way it's dotted with 'Okay? Yeah? Okay. You understand.'
Because that's what's going down. In this week's episode of , everyone finds out that Conrad Harrigan's grandson Eddie has fucked everything up royally for the rest of them.
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