When Pimlico underground station opened in September 1972, it became notable in the London art world for its commissioned tiles by Peter Sedgley, a figure associated with op art. This choice was unexpected, given Sedgley’s past performance art and avant-garde reputation. His design of 150 tiles, featuring yellow discs that provide legible signage, has survived the decades. Despite being unconventional, the tiles have remained a significant part of London's visual landscape and showcase the era's experimental design ethos.
Sedgley seemed an odd choice for the Pimlico tiles, given his op art background, yet his designs remained legible and have endured for half a century.
Each of the 150 tiles in Sedgley’s commission portrayed a yellow disc, creating a visual rhythm that has not only caught the eye but also stood the test of time.
Ironically, Sedgley’s selection was surprising due to his previous performance art actions at Tate, particularly for their subversive nature in the context of museum decor.
The 1972 commissioning of op artist Peter Sedgley for the Pimlico station tiles was meant to highlight British design, contrasting his provocative art history.
Collection
[
|
...
]