Frederick Gibberd's Metropolitan Cathedral in Liverpool has faced criticism since its inception, yet it stands as a sublime example of postwar architecture. Critics from classical and modernist backgrounds have often dismissed its design, but today's perspective acknowledges its brilliance. The cathedral's design responds to its historical context, utilizing the unfinished crypt of Edwin Lutyens. Its striking white tent and flying buttresses create a unique skyline alongside Liverpool's Anglican cathedral, showcasing a balance between modern architecture and historical significance. New appreciation is emerging for the buildings from this era, as evidenced by calls for its Grade-I listing.
Gibberd's design, a witty juxtaposition of the unfinished Lutyens crypt and his stunning white tent, is a response to both history and modernity.
The cathedral's unique design features a 2,000-tonne lantern and flying buttresses, making it stand out among Britain's postwar architecture.
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