Teresa Margolles’ sculpture, Mil Veces un Instante, is a poignant tribute to the victims of violence, specifically honoring her friend Karla, a trans woman murdered in Juárez. This powerful piece incorporates plaster casts of 726 faces, showcasing the real lives affected by violence against trans and non-binary individuals. Margolles argues that this artwork is essential to promote awareness about the ongoing violence and discrimination faced by the LGBTQ+ community, serving as a reminder that these lives matter.
Following the unveiling, social media backlash was immediate, with critics labeling the work as "garbage" and "virtue-signalling." Some commentators expressed that such a significant space as the Fourth Plinth should be dedicated to a statue of Elizabeth II instead. This outcry highlights the deep societal divides and the provocative nature of Margolles’ work, which, while aiming to honor victims, has triggered a fierce debate about representation and the purpose of public art.
Stephanie Lynnette, one of the individuals featured in the sculpture, shared her experience during the casting process, calling it "one of the most important and affirming experiences of my life." This testimony underlines the significance of the piece, showing how it serves not only as a memorial but also as a form of empowerment and recognition for marginalized identities. Lynnette’s perspective invites a reconsideration of the artwork's value in advocating for trans rights, even amidst the controversy.
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