Widow's Bay and the Genre Jump Scare
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Widow's Bay and the Genre Jump Scare
Recent horror trends show creators moving from sketch comedy into horror filmmaking and earning major recognition. Jordan Peele’s Oscar-winning debut Get Out, followed by Us and Nope, and Zach Cregger’s horror success with Weapons after Barbarian, reflect a strong link between comedy and horror. Both genres rely on eliciting immediate audience reactions, either laughter or fear. Many films blend both styles, using narrative and tonal techniques to balance humor and dread. Katie Dippold, who wrote for Mad TV and Parks and Recreation before creating Apple TV’s Widow’s Bay, connects the craft of sketch comedy to horror by emphasizing setup, anticipation, and payoff. Widow’s Bay stars Matthew Rhys as a hopeful mayor on a haunted New England island, aiming to transform it into a vacation destination.
"I really do think there's something to people who started in sketch comedy understanding how to build something, setting up the anticipation and the payoff. What I find fun is that you don't know if that build is going to lead to something that's going to make you laugh or scare you."
"Both genres succeed by getting a response-a laugh or a jump-out of an audience member. And there have been countless films that straddle both genres, like An American Werewolf in London, The Evil Dead, Scream, or The Cabin in the Woods. (Even Freddy Krueger had plenty of zingers.)"
"Peele and Cregger make films that are both narratively ambitious and stylistically reverent, capturing both critical and commercial success. In 2018, Jordan Peele of Key & Peele won the Best Original Screenplay Oscar for Get Out, his feature directorial debut (which he would follow up with 2019's Us and 2022's Nope)."
"Matthew Rhys stars as Tom Loftis, the mayor of the eponymous New England island haunted by an assortment of evils. But the optimistic Tom believes in the best for his town and hopes to turn the island into a vacation destination. (Imagine if the mayor in Jaws were played by the lovably rascally Rhys instead of Murray Hamilton.)"
Read at Filmmaker Magazine
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