The article describes the filmmaker's journey documenting The Brian Jonestown Massacre and The Dandy Warhols in the late 90s and early 2000s. Initially captivated by the chaotic energy of the Jonestown Massacre, the filmmaker captures their struggles and preparations for a gig, leading to memorable chaos. Encountering the Dandy Warhols, a more commercially successful group, showcases contrasting artistic approaches. The filming, which involved various cinematic techniques, highlights themes of friendship, artistic madness, and the music industry's unpredictability. Reflecting on personal loss due to California fires, the filmmaker emphasizes the enduring impact of this documentary journey.
The Dandy Warhols singer Courtney Taylor-Taylor told me: 'I sneeze and hits come out.' This stark contrast with Anton Newcombe exemplifies the film's exploration of art vs. commerce.
I filmed the Jonestowns in Super 8 and the Dandys in 16mm and 35mm because they made it commercially, reflecting their diverging fortunes.
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