Willem Dafoe, now the artistic director of the Venice Biennale, shares thoughts on theatre and Shakespeare during a recent video call. He acknowledges the significance of Shakespeare's birth and death anniversary while admitting he hasnât engaged deeply with his plays, critiquing their directorial approaches. Instead, Dafoe's focus lies on the avant-garde, with selections for the Biennale highlighting innovative works, such as a unique take on 'Pinocchio' featuring young autistic and Down's syndrome actors. His emphasis on experimentation marks a shift in his artistic journey as he contemplates incorporating Shakespeare into his future work.
In one play, Dafoe stands in the sea dressed as a nun brandishing a fish, showcasing the experimental and avant-garde focus of his Biennale selections.
Dafoe expresses a newfound interest in Shakespeare, acknowledging the beauty of the writing, but critiques traditional performances for being overly directive.
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