This low-budget horror film dramatizes the 1928 exorcism of Emma Schmidt, known as Anna Ecklund, highlighting the historical context with priests overseeing the ritual. It relies on a script that prioritizes background over thrilling horror, leading to a film that feels mundane despite moments of supernatural happenings. While aiming to explore themes of possession, the narrative misses an opportunity to delve into mental illness and trauma. Al Pacino's restrained performance contrasts sharply with the lead actress's efforts, resulting in an uneven dynamic that fails to fully engage the audience.
The film’s portrayal of the 1928 exorcism offers a historical lens but lacks in emotional depth, confining itself to cliched supernatural elements.
Abigail Cowen's performance contrasts with Al Pacino's lackluster delivery, resulting in an uneven portrayal of possession that ultimately falls short of its historical ambitions.
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