In Wes Anderson's New Movie, He Renounces His Stuff
Briefly

The exhibition dedicated to Wes Anderson's cinematic work at the Cinémathèque Française highlights the meticulous detail of his films, particularly through printed items like play programs and lobby cards. Visitors may find themselves surprised by the sheer volume of creative artifacts, from stop-motion figures to books that enhance the storytelling. Interestingly, the exhibit omits much personal information about Anderson himself, focusing instead on his filmic artistry. This intentional curatorial choice draws a stark contrast with other prominent exhibitions, prompting reflection on the relationship between the filmmaker's personal life and creative output.
The stunning exhibition devoted to Wes Anderson at the Cinémathèque Française reveals the depth and detail of his films, particularly through overlooked printed matter.
While the exhibition showcases a wealth of items from Anderson's films, it notably lacks personal information about the director, contrasting sharply with other exhibitions.
Read at Slate Magazine
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