The article examines A24's thriller 'Opus', starring Ayo Edebiri and John Malkovich, drawing parallels with other horror films like 'Midsommar' and 'Get Out'. It highlights how 'Opus' follows a formula typical of the 'elevated horror' subgenre, marked by social commentary and predictable plotlines. Although the film does not offer major surprises, its formulaic structure and engaging satire provide a satisfactory viewing experience, reflecting the genre's evolving nature. Debut writer-director Mark Anthony Green's work exemplifies the blend of horror and social critique that characterizes modern thrillers.
The film 'Opus' leverages familiar tropes from the 'elevated horror' subgenre, mocking the audience through predictable yet entertaining plot points and social commentary.
While 'Opus' can be critiqued for its lack of surprises, it thrives on its own formula, blending predictability with social satire in a manner akin to 'Get Out'.
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