At one point during The Outrun, I realized that watching Saoirse Ronan act is like looking through a magnifying glass: everything feels sharper and clearer.
Rona, aiming to get far from civilization, goes to the tiny island of Papay, where she begins healing during a brutal winter, reflecting the memoir's authenticity.
The film is steeped in fantasy and whimsy, utilizing moments of animation that some may find distracting but are often mesmerizing and enhance Rona's profound journey.
Nature is a vital character in The Outrun; the Orkney Islands' landscape plays a dual role, being both punishing and restorative in Rona's path to recovery.
Collection
[
|
...
]