"While Tom Hanks is one of our finest actors, his prosthetic-wrapped performance as Elvis's manager, Col. Tom Parker, is not one of his finest moments. With an accent as slippery as Parker's intentions for his client, Hanks feels adrift in Baz Luhrmann's grandiose biopic, swallowed up by the spectacle around him."
"Glen Powell is an unreasonably charming actor at his best playing funny, good-hearted guys. In The Running Man, he is a ball of simmering rage that's ready to explode; we're meant to be a little afraid of what he might do. It's just too hard to buy that dark side."
"Ben Platt was 23 when he played 17-year-old Evan Hansen on Broadway, where distance is forgiving. But he was 27 when he filmed the movie, and the obvious age mismatch, exacerbated by the camera's closeness to his facial features, made the performance distractingly absurd and a little creepy, too."
Multiple high-profile film performances fail to resonate despite strong source material and talented casts. Matthew McConaughey becomes lost in Interstellar's cosmic scope, while Tom Hanks's prosthetic-heavy turn as Col. Tom Parker in the Elvis biopic feels adrift amid Baz Luhrmann's grandiosity. Glen Powell's attempt at playing a dark, rage-filled character in The Running Man strains credibility given his natural charm. Daisy Edgar-Jones lacks emotional depth and chemistry as the meteorologist in Twisters. Tom Cruise's vampire performance in Neil Jordan's adaptation feels awkward alongside Brad Pitt. Ben Platt's age mismatch as a teenager in the Dear Evan Hansen film becomes distractingly apparent on camera. These miscastings and performance choices undermine otherwise ambitious productions.
Read at www.nytimes.com
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