The article discusses Mohammad Sadegh Ansari's book, which examines the rich musical landscape of 13th-century Baghdad amidst the Mongol conquest. It highlights the significance of music as a scientific discipline influenced by Greek thought and how Islamic scholars contributed to its evolution. The text addresses the ontological and epistemological aspects surrounding music knowledge production, exploring the works of Safi al-Din al-Urmawi. Targeted at scholars of Islamic history and music theory, the book sheds light on the complexities of knowledge integration in medieval Islamic societies.
In exploring the medieval Islamic world's relationship with music, Ansari reveals how music's appropriation from Greek origins contributed to its standing as a scientific discipline.
The text delves into the ontological debates of music as a science, illustrating the tools used to produce musical knowledge in a time of cultural richness.
Safi al-Din al-Urmawi emerges in this research not only as a significant figure in music theory but also as a key contributor to medieval knowledge production.
Despite the turmoil following the Mongol conquest, Baghdad in the 13th century maintained a vibrant intellectual life, especially in fields like music and education.
#medieval-islamic-history #music-theory #knowledge-production #safi-al-din-al-urmawi #cultural-history
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