The article discusses the historical and cultural significance of floral patterns, particularly in relation to political symbolism. In Georgia, floral designs have evolved from mere decoration to powerful icons, as exemplified by the tulip's association with the 1989 Tbilisi protests. Artist Ketuta Alexi-Meskhishvili's work draws upon this history, using tulips to represent dissent and memorialize victims of state violence. Her series focuses on the techniques of capturing floral forms in innovative ways, bridging past and present political narratives while highlighting the complexities of such symbols across different societal contexts.
The floral patterns in Ketuta Alexi-Meskhishvili's work symbolize the political turmoil of Georgia, particularly represented by tulips following the tragic April 9th, 1989 protests.
Floral designs, transcending mere decoration, serve varied roles from consumer goods to potent political emblems, specifically illustrated by the use of tulips as symbols of dissent.
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