The new Premiere Pro colour management system can automatically transform raw and log footage into HDR and SDR video without requiring LUTs using either Rec 709 or the ACEScct colour space for improved dynamic range.
Senior Product Marketing Manager Jason Druss described the addition as a 'generational shift in video quality with no messing in advanced settings' and part of a new commitment to improving how video editors work with colour in the software.
The move is a recognition that many people creating video are no longer working in silos, as many editors now have to do their own colour grading, making colour management more invisible and automatic.
With the new gamut-wide presets, editors will be able to see higher fidelity footage in their timeline, with log detail in highlights, without requiring transfer LUTs.
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