Twilight of the Warriors: Walled In movie review (2024) | Roger Ebert
Briefly

Chan's story is about a community's triumph over mobbed-up individualism, resonating with audiences in Hong Kong for its lyrical dialogue and over-the-top fight choreography.
The movie version of Kowloon is described as resembling an animated M.C. Escher painting, with its intricate design filled with overlapping stairwells, rebar, and low-drooping cables.
Kowloon is portrayed as a haven for kind-hearted yet flawed characters like Cyclone, a revered crime boss, and threatened by the desperate loner Chan pursued by the greedy triad gang.
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