"For example, an environment might need to look claustrophobic, but there still has to be room for all the action to take place. A costume might have to tell a story about the character and express their personality, but it also has to be practical for the actor to wear and appropriate for the time period of the film. Concept artists work within these constraints to produce visual solutions that satisfy the requirements of the filmmaker's vision."
"Good concept artists have the ability to "think holistically, like a director", says Matt Hatton, whose recent projects include Furiosa: A Mad Max Saga and Kingdom of the Industrial Light & Magic Planet of the Apes. He explains: "Use that angle, that length of lens - or indicate it in the distortion of the image - and use those colours, that shape language, to relay the story. Or you're just doing 'cool' pictures that don't tell people anything.""
Concept artists in film combine storytelling and technical problem-solving to produce visuals that serve both narrative and production needs. Good concept artists think holistically, like a director, using angle, lens length, colour and shape language to relay story rather than only create striking images. Artwork must meet practical constraints: environments need atmosphere while allowing action, and costumes must express character while being wearable and appropriate for the period. Strong problem-solving, communication and design-thinking skills complement artistic talent to translate briefs into usable production assets. Varied briefs and unique constraints keep the work creatively engaging.
Read at Creative Bloq
Unable to calculate read time
Collection
[
|
...
]