The New Netflix Show From the Writer-Director of The Queen's Gambit Is Gorgeous, Well Acted, and Stupid
Briefly

The Netflix series Dept. Q adapts Jussi Adler-Olsen's mid-tier novels with a focus on character and style, offering stunning visuals and compelling performances. Set in Edinburgh, it follows detective Carl Mørck, portrayed by Matthew Goode, as he navigates a new cold case department, struggling with his past mistakes and forced therapy sessions. Mørck's interactions with his colleagues—a quirky pair of misfits, Rose and Akram—add humor and complexity to the show, although the storyline itself suffers from predictability. Overall, while the series shines in execution, it is limited by an underwhelming narrative.
The Netflix series Dept. Q combines stunning visuals, clever writing, and strong performances but is ultimately let down by a poor narrative structure.
Carl Mørck's character, played by Matthew Goode, struggles with both a murky backstory and his position in a new cold case unit set in Edinburgh.
Accompanying Carl are his eccentric colleagues, Rose and Akram, whose skills and backgrounds add a layer of humor but also delve into deeper themes of identity.
Despite the traditional detective tropes, the series intelligently critiques Carl's arrogance while juggling the complexities of his relationships and mental state.
Read at Slate Magazine
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