"The draw of Michael, Bohemian Rhapsody producer Graham King's turn at the life of the King of Pop, isn't the desire to understand Jackson as a person or as an artist, or to grapple with the weight of his legacy as one of the most pivotal cultural figures of the 20th century."
"In that respect, it's hardly unique, but there's a particular ghoulishness in applying that mentality to a figure as profoundly complex as Jackson."
"King secured the rights to produce Michael mere months after the release of Dan Reed's documentary Leaving Neverland, in which Wade Robson and James Safechuck both accused Jackson of child sexual abuse."
The film 'Michael' focuses on Michael Jackson's life but avoids exploring his complexities, instead catering to fan expectations. It ends in 1988, omitting significant events related to allegations of abuse. The production follows a trend of biopics that blur the line between cinema and merchandise, driven by the success of 'Bohemian Rhapsody'. The Jackson estate's involvement raises concerns about the authenticity of the portrayal, as it seeks to present a sanitized version of his legacy while ignoring darker aspects of his life.
Read at The Independent
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