"Maggie Gyllenhaal confessed that she almost didn't give her husband the role because she thought dealing with jealousy in her directorial debut would be too hard to deal with."
"Erika Lust explains that on a set, even in sex scenes, nothing is truly spontaneous. It's not private intimacy, but cinematic language."
"For me, there are two keys: talking everything through and trust. Mystery can be sexy in fiction, but in real life, it often generates insecurity."
"Valerie Tasso points out that it's a mistake to think that professionalism should immunize us against certain emotions. Being professional doesn't mean ceasing to feel."
Maggie Gyllenhaal faced challenges directing her husband, Peter Sarsgaard, in sex scenes for The Lost Daughter, initially hesitating to cast him due to jealousy concerns. She ultimately felt he was the right choice for the role. Gyllenhaal had to maintain emotional detachment while directing intimate scenes. Erika Lust emphasized that sex scenes are not spontaneous but constructed, requiring communication and trust. Valerie Tasso noted that professionalism does not eliminate emotions, and managing feelings is crucial to avoid dysfunction in such situations.
Read at english.elpais.com
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