François Truffaut's assertion that all war films inevitably end up being pro-war suggests that violence in cinema is inherently ambiguous, complicating filmmakers’ intentions.
Anthony Swofford's 'Jarhead' highlights the paradox where even anti-war sentiments are overshadowed by the allure and excitement generated by war films like 'Apocalypse Now'.
The article posits that imposing a moral obligation on war films to critique war may undermine different narrative possibilities and artistic expressions regarding the subject.
War movies act as reflections of societal attitudes, evolving with the times, showcasing how the context of their creation influences their messages and perceptions.
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