"As has been articulated in past dispatches, there's a storm of mixed emotions while being on the ground in Park City. In between acquisition talks and bidding wars for the festival's buzziest titles, it was hard to remain fully focused on the films in light of the murder of Alex Pretti at the hands of ICE agents. The tension was best exemplified on Main Street, where most of the film's after-parties and receptions took place, but it was also where protestors gathered to march."
"Like a DJ who's able to seamlessly transition from one song to the next, the miracle of director Joanna Natasegara's "The Disciple" is that she's able to weave together the two threads of her documentary, and find the ways that they amplify each other."
Park City festival atmosphere combined excitement and grief amid acquisition talks, bidding wars, and protests after the murder of Alex Pretti by ICE agents. Main Street hosted both after-parties and demonstrations, creating visible tension. Three Premieres documentaries offered hopeful frameworks for resisting oppression while preserving personal integrity and creating alternative narratives to gatekeepers. Joanna Natasegara's film weaves two narrative threads around Wu-Tang Clan history and a less-famous member, providing context on the group's significance and elevating a less public-facing figure. RZA appears only in archival interviews, and the film equalizes voices rather than allowing celebrity to dominate the story.
Read at Roger Ebert
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