The article reflects on the author's experiences attending the Oscars, highlighting the blend of consistency and change that defines the event. Despite the ongoing chaos in the world, the ninety-seventh Academy Awards showcased a celebration of indie cinema, especially with the recognition of 'Anora.' The article notes how the ceremony felt more like an international event, with winners from various countries, emphasizing Hollywood's broadened scope. The author's mixed feelings capture both nostalgia and critique of the spectacle, ultimately portraying the Oscars as a unique cultural gathering amid global turmoil.
Not long ago, I asked The New Yorker's editor, David Remnick, whether he'd ever return to the Academy Awards, having attended exactly once.
One thing I love about going to the Oscars is that they're always the same: the controlled frenzy of the red carpet; the 'Jesus Saves' protesters who picket the limos on Highland Avenue.
The ninety-seventh Academy Awards lay at the end of a road filled with scandal and chaos, thanks to the tweets of one Karla Sofía Gascón and other foibles along the way.
This year’s Oscars felt more like the World Cup, with winners representing Brazil and Latvia and Iran.
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