"In the Now You See Me movies, the so-called explanations for the big tricks are even more ridiculous than the tricks themselves; they're not built on the characters' skill or determination or cleverness, but on narrative convenience and screenwriter contrivance. These films are anti-magic: They quash the wonder of both a perfectly executed trick and its oh wow reveal. (This also makes them bad heist movies, by the way.)"
"Now You See Me: Now You Don't could use a Soderbergh-like touch behind the camera, someone with a flair for pulling off scams so sly and presentationally appealing that their absurdities may as well be actual magic. Instead, it has director Ruben Fleischer, an Eisenberg pal from two Zombielands who also made the weightless smashes Venom and Uncharted. In other words, someone about as good as his material allows."
The third Now You See Me installment emphasizes showy spectacle and implausible reveals over coherent plotting or believable heist mechanics. Flashy illusions and elaborate setups return, but explanations rely on narrative convenience and screenwriter contrivance rather than character skill or cleverness. Prior franchise entries surpassed $300 million each, and the new sequel is projected to open near $20 million, indicating sustained audience interest despite logical weaknesses. Direction by Ruben Fleischer keeps the tone light and serviceable but not visionary. The film’s tendency to over-explain tricks diminishes wonder and weakens the emotional payoff of big reveals.
Read at Vulture
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