"The appeal of a romcom is that we know what is going to happen; therein lies the comfort and joy. Previous reviewers have mistaken well-loved tropes for a lack of imagination. Done properly, a romcom takes our hand through a series of events that are both audaciously unrealistic and deeply familiar. Everything, every character, every line of dialogue, every Irish cow that blocks the bickering pair's journey is there in service of the love story."
"Anna, an American woman (Amy Adams), decides she'll make use of an alleged Irish rule that says women can propose to men on 29 February. She follows her cardiologist boyfriend (Adam Scott) to Dublin with the intention of getting down on one knee. The wet Irish weather conspires against her and a tall, beautiful, cranky publican (Matthew Goode) is her only hope of transport. They are very rude to each other, in a way that is very hot."
Leap Year, a 2010 romantic comedy starring Amy Adams and Matthew Goode, received harsh critical reviews upon release, earning only a 23% approval rating on Rotten Tomatoes. The film follows Anna, an American woman who travels to Dublin to propose to her boyfriend using an alleged Irish tradition allowing women to propose on February 29th. When circumstances force her to travel with a charming but cranky Irish publican instead, romantic tension develops between them. Critics dismissed the film as witless and unimaginative, but the movie actually demonstrates how romantic comedies intentionally use well-established tropes—mismatched characters, forced proximity, Irish settings, and predictable plot developments—to deliver comfort and familiarity rather than originality.
Read at www.theguardian.com
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