"Into this sea of sensitivities has plunged the director Emerald Fennell, whose new adaptation has become one of the year's most debated films. Dubbed 50 shades of Bronte, everything about it has been scrutinised: from the casting of Aussies Margot Robbie and Jacob Elordi as Cathy and Heathcliff to the anachronistic costumes and music, and the overt sexualisation of the plot."
"Fennell has framed the project as a highly personal interpretation, shaped by her intense response to the book at 14 hence the inverted commas around the title. She has spoken of being obsessed and driven mad by the book, of wanting to honour its primal, sexual undercurrents and the shock that greeted its original publication (it was deemed irredeemably monstrous at the time)."
Emerald Fennell's adaptation reimagines Wuthering Heights as a provocative, personal reinterpretation that foregrounds sexual energy, shock, and contemporary aesthetics. The film's casting, anachronistic costumes, and modern music intensify the sensation of deliberate provocation. Critical responses split between purists who object to simplification of class, racial, and moral complexity and supporters who view the project as aligned with attention-driven entertainment. The adaptation taps into current social media-driven tastes for digestible romantic tropes like enemies-to-lovers and slow-burn narratives. The production prioritizes immediate visceral impact over subtlety, reflecting broader trends in culture and content platforms.
Read at www.theguardian.com
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