The film section was such an advocate for indie filmJohn Sayles and Spike Lee and David Lynch. That was a real training in production of art, how to talk about art, and having the courage to follow your own weird dream.
I really did have the best writers in America. I had Jim Hoberman, Manohla Dargis, Amy Taubin, and Georgia Brown, who had come from Seven Days. They were all very different.
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