Cannes 2024: Emilia Perez, Three Kilometers to the End of the World, Caught by the Tides | Festivals & Awards | Roger Ebert
Briefly

Audiard's 'Emilia Pérez' is a big swing, risking looking ludicrous yet pursuing operatic ambitions. The film resembles Almodóvar's style, showcasing unique storytelling and character dynamics.
While 'Emilia Pérez' may seem like a directorial folly, it stands out for its impersonal yet daring approach. The film's style and storyline are compared to modern opera and other recent cinematic ventures.
Read at https://www.rogerebert.com/
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