Durga Chew-Bose's adaptation of 'Bonjour Tristesse' showcases striking visuals reflecting the luxurious lifestyle of rich characters. Despite its compelling style, the film struggles with storytelling and character psychology. The adaptation highlights Cecile's tumultuous relationship with her father Raymond at a seaside retreat, introducing tension with the arrival of Anne, a figure from their past. The allure of the novel's themes is present, yet the execution leaves some emotional depth unaddressed. Overall, Chew-Bose's potential as a director shines through the film’s aesthetic appeal while hinting at challenges in narrative sophistication.
Chew-Bose fills her frame with sun-dappled bodies and faces, tasteful outfits, elegant spaces, and the easygoing languor that comes with the seaside sojourns of the wealthy.
Chew-Bose clearly has it, and it will surely serve her well in future endeavors.
Cecile embodies the existential ennui of her times, reflecting a self-absorbed carelessness towards the people around her.
Those familiar with the story will know it goes to some spectacularly melodramatic places, dependent on getting the central tension right.
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