The article describes a visit to the Portland Experimental Theatre Ensemble (PETE) during tech week for a new production based on Dante's Inferno. It captures the tense yet creative atmosphere of the rehearsal space, complete with an unfinished set and young designers engrossed in props and costumes. The mention of song choices adds humor, contrasting the arduous work. Directed by Jacob Coleman, the production incorporates audience participation, creating a unique experience as attendees gather outside to be guided by performers. Overall, it illustrates the artistic journey and challenge of theater production.
"Given the subject matter, it feels fitting that I'm paying PETE a visit during what would elsewhere be called tech week (sometimes colloquially known, no kidding, as 'hell week')."
"The set, consisting of seven red-curtained doorways surrounding a white spotlit circle, stands half-completed. Cabling snakes over the folding tables temporarily installed in the house."
"Young designers peck away at laptops, craft props and costumes, and sing along to Enya's Orinoco Flow - an improbable soundtrack for a journey through the underworld..."
"Director Jacob Coleman warns me that there will be some migration at the top of the show: The audience will convene outside of the theater, and the Virgils will lead us all."
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