Brady Corbet's The Brutalist is an ambitious film exploring art and the American project, presenting a fictional Hungarian Holocaust survivor's journey in contemporary America.
‘It's like criticizing a book for being 700 pages, versus 100 pages,’ Corbet argued, emphasizing that the film's length should not overshadow its narrative depth and artistic intentions.
With its three-and-a-half hour runtime, the film immerses viewers in the protagonist's struggles, including a visually impactful opening with an upside-down Statue of Liberty.
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