John Woo's return with The Killer showcases the enduring fascination with hitmen in cinema, serving as a metaphor for capitalism and the complexities of human nature.
The hitman represents an independent contractor in the cinematic world, highlighting themes of capitalism, trauma, and the pursuit of discipline amidst human imperfection.
Cinema's portrayal of hitmen varies widely; they can be charming and sophisticated or brutal and sloppy, reflecting the diverse narratives and complexities of their characters.
My ranking of the greatest hitmen will focus on characters who kill for money, emphasizing the distinct profession of contract killing in contrast to other motives.
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