The Scottish sculptor draws from architecture and design in his practice, often creating elaborate site-specific installations that include everyday urban objects-vents, screens, telephone booths, fireplaces and lanterns-repurposed in new configurations to poetic results.
Originally commissioned by Haus der Kunst, Munich with FACT Liverpool and Animate Projects and completed in 2009, it represents a pivotal moment in Weerasethakul's career, a point at which the bridging of visual art, moving image and cinema became a defining aspect of his practice.
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