This Brutalist Lounge Chair Is 3D-Printed From Recycled Water Bottles - Yanko Design

"THE OBJECT 01 is a 3D-printed lounge chair built from recycled PETG, a plastic more commonly found in water bottles than in furniture workshops. At 20kg, it is lighter than its blocky, slab-heavy proportions suggest, though not exactly something you would reposition on a whim. Its dimensions push it closer in scale to a small architectural fragment than to a typical chair, which is likely the whole point."

"What makes THE OBJECT 01 genuinely worth attention is how honestly it exposes its own making. The layer-by-layer texture from the printing process is not hidden or smoothed away; it stays visible across the surface, turning the manufacturing method into part of the visual language. That kind of material honesty is far more common in ceramics or cast concrete than in plastic furniture, and it gives the piece a tactile quality that polished renders simply do not convey."

"The construction follows a modular panel system, where each 3D-printed block fits into a sequence designed to cut material waste and keep the overall mass structurally lean. Finished in a cold grey Baev calls "Kyoto Fog," the chair reads somewhere between concrete and matte stone. In a sparse studio or raw loft, it anchors the space with quiet authority."

THE OBJECT 01 is a 3D-printed lounge chair designed by Amsterdam-based designer Nako Baev using recycled PETG plastic. Weighing 20kg, the chair employs a modular panel system that minimizes material waste while maintaining structural integrity. Its blocky proportions and scale approach that of an architectural fragment rather than typical furniture. Finished in a matte grey called "Kyoto Fog," the chair reads as concrete-like and stone-textured. The design deliberately exposes its 3D-printing process through visible layer-by-layer texturing, treating manufacturing as part of the visual language. This material honesty, combined with minimalist brutalism and Japanese restraint influences, positions the piece between furniture and sculpture, creating a spatial statement that anchors environments with quiet authority.

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