Tate launches a fund with AKO Foundation to acquire Sámi and Inuit art, starting with works by Outi Pieski, marking the first Sámi artist in the collection.
Future projects include researching, collecting, and displaying art from Indigenous communities in South Asia, Oceania, and the Americas.
Tate appoints Kimberley Moulton as adjunct curator for First Nations and Indigenous art, focusing on increasing representation and organizing exhibitions.
The 60th Venice Biennale features Indigenous and queer artists prominently, with Indigenous artists having an 'emblematic' presence.
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